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  • Cao Xiaoli, a professional acrobat, practices balancing on one hand in the practice room at Shanghai Circus World in Shanghai, China.  (Featured in the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds.  Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous.
    CHI_060606_084_xw.jpg
  • Cao Xiaoli, a professional acrobat, practices balancing on one hand in the practice room at Shanghai Circus World in Shanghai, China. (From the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals. She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds.  Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous. MODEL RELEASED.
    CHI_060605_080_xxw.jpg
  • A troupe tries out its cycling act at the Shanghai Circus World, Shanghai, China, where acrobat Xiaoli Cao practices. (From the book What I Eat: Around the World in 80 Diets.)
    CHI_060605_036_xxw.jpg
  • Cao Xiaoli, a professional acrobat, trains with an instructor in Shanghai, China. (Featured in the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous.
    CHI_060606_282_xw.jpg
  • Cao Xiaoli, a professional acrobat, balances on one hand with her day's worth of food at Shanghai Circus World in Shanghai, China.  (From the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds. Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous. MODEL RELEASED.
    CHI_060608_128_xxw.jpg
  • Cao Xiaoli, a professional acrobat, practices balancing on one hand in the practice room at Shanghai Circus World in Shanghai, China. (From the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds.  Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous. MODEL RELEASED.
    CHI_060606_187_xxw.jpg
  • Cao Xiaoli, a professional acrobat, practices balancing on one hand at Shanghai Circus World in Shanghai, China. (Featured in the book What I Eat: Around the World in 80 Diets.)  The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds.  Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous. MODEL RELEASED.
    CHI_060606_398_xw.jpg
  • Cao Xiaoli, a professional acrobat, practices alongside members of her troupe at Shanghai Circus World in Shanghai, China.  (Featured in the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds.  Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous. MODEL RELEASED.
    CHI_060606_013_xw.jpg
  • Early morning yoga on the beach at Zihuatanejo, Mexico.
    MEX_083_xs.jpg
  • Cao Xiaoli, a professional acrobat, practices at Shanghai Circus World in Shanghai, China.  (Featured in the book What I Eat: Around the World in 80 Diets.) The caloric value of her day's worth of food on a typical day in June was 1700 kcals.  She is 16 years of age; 5 feet, 2 inches tall; and 99 pounds.  Cao Xiaoli lives in  a room with nine other girls. She started her career as a child, performing with a regional troupe in her home province of Anhui. Now she practices five hours a day, attends school with the other members of her troupe, and performs seven days a week. She says what she likes best about being an acrobat is the crowd's reaction when she does something seemingly dangerous. MODEL RELEASED.
    CHI_060606_128_xw.jpg
  • George Bahna (in black t-shirt), an engineering company executive and martial arts instructor  Kung Fu training and teaching a student at the Gezira Club in Zamelek, Cairo, Egypt.  (George Bahna is featured in the book What I Eat: Around the World in 80 Diets.) He is 29 years of age; 5 feet, 11 inches tall; and 165 pounds.
    EGY_080325_266_xw.jpg
  • Eric Hvinden puts sound onto a Dinamation International Triceratops at the company's factory near Los Angeles, California. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_14_xs.jpg
  • A dinamation robotic model of an Apatosaurus (with the skin removed showing the metal skeleton) at the Dallas Science museum. A time exposure shows how the neck and head respond to joystick commands. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_01_xs.jpg
  • Exemplifying the attempts by Japanese researchers to put a friendly face on their robots, DB's creators are teaching it the Kacha-shi, an Okinawan folk dance. Unlike most robots, DB did not acquire the dance by being programmed. Instead, it observed human dancers?project researchers, actually, and repeatedly attempted to mimic their behavior until it was successful. Project member Stefan Schaal, a neurophysicist at the University of Southern California (in red shirt), believes that by means of this learning process robots will ultimately develop a more flexible intelligence. It will also lead, he hopes, to a better understanding of the human brain. The DB project is funded by the Exploratory Research for Advanced Technology (ERATO) Humanoid Project and led by independent researcher Mitsuo Kawato. Based at a research facility 30 miles outside of Kyoto, Japan. From the book Robo sapiens: Evolution of a New Species, page 51.
    Japan_JAP_rs_234_qxxs.jpg
  • A dinamation robotic model of an Apatosaurus (with the skin removed showing the metal skeleton) at the Dallas Science museum. A time exposure shows how the neck and head respond to joystick commands. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_16_xs.jpg
  • George Callison, an expert on dinosaurs, and an artist, sketches and makes notes for upcoming dinosaur models and exhibits in front of a Tyrannosaurus Rex head  at the Dinamation factory in Los Angeles, California. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_12_xs.jpg
  • Snarling at the rush-hour traffic, this new animatronic; that is, lifelike and electronic replica of an Allosaurus is returning from the paint shop to the Dinamation factory in Orange County, California. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_10_xs.jpg
  • The head of robotic Allosaurus, part of a collection of robotic dinosaurs made by the California-based company Dinamation International. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_06_xs.jpg
  • A dinamation robotic model of an Apatosaurus (with the skin removed showing the metal skeleton) at the Dallas Science museum. A time exposure shows how the neck and head respond to joystick commands. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_03_xs.jpg
  • A dinamation robotic model of an Apatosaurus at the Dallas Science museum (with the skin removed showing the metal skeleton). Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_02_xs.jpg
  • The robot, called Kenta, (Ken means tendon in Japanese) has a flexible spinal column that resembles that of the human body; 96 motors; a five-joint neck; a 10 joint spine (each with 3 degrees of freedom); and fast-moving stereo vision that can track a flesh colored object. The neck and torso are coordinated to respond in concert with the eye's movement. Student researchers create movements for the robot in simulation and then feed the simulations back to the robot. Professor Hirochika Inoue thinks that developing robots with this structure of incredibly decreased weight and fewer parts will reduce the cost and the complexity of robots in the future for more widespread application. Inoue-Inaba Robotic Lab, University of Tokyo, Japan.
    Japan_Jap_rs_366_xs.jpg
  • After he removes its skin, Fumio Hara gets the once-over from a face robot in the lab he co-directs with Hiroshi Kobayashi at the Science University of Tokyo, Japan. The first of several face robots made in his lab, it has a CCD camera in its left eye that sends images to neural-network software that recognizes faces and their expressions. Calling upon its repertoire of programmed reactions, it activates the motors and pulleys beneath its flexible skin to produce facial expressions of its own. The project is relatively unusual in its focus, many researchers believe that making robots walk and manipulate objects is so difficult that facial expressions are not yet worth working on. Hara disagrees, arguing that robots with animated faces will communicate with humans much more easily. From the book Robo sapiens: Evolution of a New Species, page 74-75.
    Japan_JAP_rs_4_qxxs.jpg
  • Snarling at the rush-hour traffic, this new animatronic; that is, lifelike and electronic replica of an Allosaurus is returning from the paint shop to the Dinamation factory in Orange County, California. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_17_xs.jpg
  • The robotic dinosaur Triceratops moves from the welding station where its base was attached to the recording studio where sound will be added to the computer program. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_15_xs.jpg
  • At the Science Museum in Dallas, Texas, school children listen to a docent while watching the animated robot dinosaurs Tyrannosaurus Rex and Allosaurus (made by Dinamation International). Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_13_xs.jpg
  • At the Science Museum in Dallas, Texas, school children watch the animated robot dinosaurs Apatosauruses (half size, made by Dinamation International) swing their heads close to them. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_11_xs.jpg
  • Snarling at the rush-hour traffic, this new animatronic; that is, lifelike and electronic replica of an Allosaurus is returning from the paint shop to the Dinamation factory in Orange County, California. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_09_xs.jpg
  • Snarling at the rush-hour traffic, this new animatronic; that is, lifelike and electronic replica of an Allosaurus is returning from the paint shop to the Dinamation factory in Orange County, California. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_08_xs.jpg
  • Tyrannosaurus Rex gets its tongue glued into place at the Dinamation robot factory near Los Angeles, California). Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_07_xs.jpg
  • Workers paint the head and foot of robotic Allosaurus, part of a collection of robotic dinosaurs made by the California-based company Dinamation International. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_05_xs.jpg
  • At Dinamation International's factory in southern California, artists paint the head and sail of Dimetrodon, a reptile that lived before the dinosaurs. The body of this model will be left bare to show the inner mechanical workings. Dinamation International, a California-based company, makes a collection of robotic dinosaurs. The dinosaurs are sent out in traveling displays to museums around the world. The dinosaur's robotic metal skeleton is covered by rigid fiberglass plates, over which is laid a flexible skin of urethane foam. The plates and skin are sculpted and painted to make the dinosaurs appear as realistic as possible. The creature's joints are operated by compressed air and the movements controlled by computer.
    USA_SCI_DINO_04_xs.jpg
  • The robot, called Kenta, (Ken means tendon in Japanese) has a flexible spinal column that resembles that of the human body; 96 motors; a five-joint neck; a10 joint spine (each with 3 degrees of freedom); and fast-moving stereo vision that can track a flesh color object. The neck and torso are coordinated to respond in concert with the eye's movement. Student researchers create movements for the robot in simulation and then feed the simulations back to the robot. Professor Hirochika Inoue thinks that developing robots with this structure of incredibly decreased weight and fewer parts will reduce the cost and the complexity of robots in the future for more widespread application. Inoue-Inaba Robotic Lab, University of Tokyo, Japan.
    Japan_Jap_rs_368_xs.jpg
  • The inner workings of the first generation face robot from the Hara-Kobayashi Lab in Tokyo, Japan. The first of several face robots made in Fumio Hara's lab, it has a CCD camera in its left eye that sends images to neural-network software that recognizes faces and their expressions. Calling upon its repertoire of programmed reactions, it activates the motors and pulleys beneath its flexible skin to produce facial expressions of its own. From the book Robo sapiens: Evolution of a New Species, page 4.
    Japan_JAP_rs_5A_120_qxxs.jpg
  • Holding what will become a robot leg, Stanford graduate student Jonathan Clark demonstrates the structure's resilience. Using shape deposition molds like the one below Clark's hand, Cutkosky and his students are now embedding electronic parts into molded plastic to create structures with the flexibility of living tissue. Stanford, CA.  From the book Robo sapiens: Evolution of a New Species, page 99 bottom.
    USA_rs_475_qxxs.jpg

Peter Menzel Photography

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